Monday 30 September 2013

SPORT CODES AND CONVENTIONS



  •  Professional, celebrity experts 
  •  Studio set location or at site of sporting event 
  •  Music used for dramatic effect and to add tension 
  •  Medium shots for expert discussion 
  •  Discussions informal and conversational but using key terminology of the sport  Live audio to convey the atmosphere of the event 
  •  Use of replay, slow motion 
  •  Footage of behind the scenes narrative to enhance audience support 
  •  Interviews
  • AUDIENCE 
  •  Audiences are encouraged to participate and interact in a number of ways 
  •  Audiences delivered to advertisers 
  •  Audiences part of the expert team
  • INSTITUTION 
  •  Large sporting events are flagship, high –budget broadcasts for institutions. They should be representative of the best on offer by the channel 
  • REPRESENTATION 
  •  Often males represented. Consider the representation of males in the domain of sports coverage. 
  •  Binary oppositions – Winners vs Losers, Us vs Them, Champions vs Underdogs 


MAGAZINES - CODES AND CONVENTIONS



  •  Colour used with effect to position and identify audiences 
  •  Magazine front covers are crowded with contents to suggest value for money 
  •  Cover models usually uses a direct mode of address 
  •  Magazine has a clear ‘house’ style which includes font, tone of voice and even language (Heat’s use of terms such as R-Patz)
  •  text to image ratio depends on the target audience. Magazines for younger readers include greater use of bullet points, boxes and banners in the presentation 
  •  Covers contain mastheads, headlines and cover lines.
  • AUDIENCE 
  •  How is the text encoded to produce a preferred reading in the audience? 
  •  Does the text encourage audience sharing of the content? 
  •  Is the audience invited to participate through the content? 
  •  Audience is delivered to advertisers through the magazine. How are audiences encouraged to consume? 
  •  What Uses and Gratifications can be assumed through the content?
  • INSTITUTION 
  •  What are the brand values of the institution? 
  •  What links does the text make with other products? With other platforms? What does this communicate about the text? 
  •  Does the text fit with wider ideology through suggested narrative?
  • REPRESENTATION 
  •  Look specifically at Gender representation in Gendered magazines. How is the concept of gender constructed? 
  •  Are stereotyped used? Confirmed or challenged? 
  •  Are Binary Oppositions used? 
  • Task: Analyse the BLISS Magazine cover using the prompt questions above.

Stereotypes


Stereotypes are:

Simplified representations which focus on certain characteristics of the group and assumes these to be shared across all group members. Inherent within a stereotype is a judgement on this characteristic (usually negative – but not always).

Stereotypes are often assumed to be negative as:

1 The judgement making the basis of the stereotype is usually a negative one – gossip is a bad thing, a waste of time.

2 They do not allow for individual traits to exist in members of the group – some women may not be interested in other people’s domestic lives.

3 They are created by those outside the stereotyped group and are often seen to be an exertion of power – the stereotyped group often has no way to answer back.

4 The stereotype gives a ‘complete picture’ about the group and implies a knowledge and understanding that can be applied to all members of the group.

Thursday 26 September 2013

Mise en scene - Positioning



·      How visual aspects within a frame create meaning for audiences
·      How the positioning of characters and objects can give us clues to relationships and narrative development
·      How lighting and colour can create atmosphere and meaning


In relation to the study of moving images, mise-en-scène translates as 'everything in the frame'.  
It is a French term which refers to:

§  Lighting and colour
§  Setting
§  Props, costume, hair and make-up
§  Character positioning within the frame
§  Body language, expression and movement




The given image is a still from The Core, a disaster film from 2003.  Look at the way the characters are positioned within the frame so all the important characters are visible and how different levels are created to add visual interest to an inactive scene.
Jot down answers to the following questions and then compare notes with a partner.
·      Which characters do you think are the most important in this scene?
·      What gives you this impression?
·      What do the props in the foreground and background tell you about what is happening?
·      What typical elements of the disaster movie genre are evident in this frame?

Monday 23 September 2013

IDEOLOGY IN MEDIA STUDIES_OPINION LEADERSHIP



Ideology is a difficult - but important - concept to grasp. Simply put, it is the ideas behind a media text, the secret (or sometimes not-so secret) agenda of its producers. It is important to be able to identify the different ideological discourses that may be present in even an apparently simple photograph.
In sociological terms, ideology is a body of ideas or set of beliefs that underpins a process or institution and leads to social relations. These sets of beliefs are those held by groups within society, and the prevalent ones are those held by the ruling/dominant groups.


Dominant ideology or hegemony

In any society the accepted and agreed beliefs are those of the ruling class, i.e. the class which is the ruling material (with all the money) force is at the same time its ruling intellectual (with all the ideas) force. Christianity is the main historical example (think of how many legal systems take Christian moral values as their basis)- are there any modern day equivalents? Football currently has hegemonic status in the UK - glance through the sports pages and see what coverage other sports get - and everyone is expected to understand and accept its national importance.
Hegemony is not a forced political movement, however. To use the previous example, no one is forced to watch/listen to/read about football. It's just sometimes it seems that there are few alternatives. This is how hegemonies take hold: a majority decide to 'fit in' with the cultural values and ideas of their time and place and the minority keep their objections quiet. Hegemony is about consent, and one of the things it consents to is inequality - us and them.



What part does the media have to play in developing and maintaining a hegemony?
- Institutions, language, news/information, arbiting taste, regulating output, representations, ownership, authorship
What part does the media have to play in opposing/altering the hegemony?
-Challenging all of the above by presenting the alternatives in a positive light

Task:
Read the recent panic article about a computer game. 
Make notes on the language of the writer. Is he being pro censorship?
Do you think this type of game causes people to go out and torture?



Grand Theft Auto 5 under fire for graphic torture scene


Ideological Discourse

These are the issues/attitudes debated over in the Media which form part of the everyday ideological discourse in our society. The views taken on these subjects form the basis of our social rules and practice:
  • education
  • employment
  • gender
  • sexuality
  • racism
  • feminism
  • nationalism/national identity
  • youth/age
  • left wing/right wing politics
  • environmentalism
  • public/personal reality
  • crime and punishment etc


Preferred reading

Producers of a media text design it with a certain meaning in mind. They hope that audiences will decode their text in a certain way - particularly if the text is an advertisement. Preferred readings are those which tie in with hegemonic beliefs.

The Beauty Myth

For instance, the idea of beauty and the 'ideal' female shape propounded in Western magazines bears little to no relation to the measurements of the majority of Western women. It is accepted as 'natural' that models in women's magazines should be young and drastically underweight. Since the 1960s the preferred reading has been that these women are beautiful. However, there are signs that, as hegemonic belief begins to adapt to the concerns of many that this body shape is actually unhealthy, the preferred reading is beginning to shift.
Over recent years, size zero models have been banned from the catwalk in fashion weeks the world over. Beauty magazine editors have responded to reader concerns that the models depicted in their pages are unrealistically thin by pledging to use "real women" instead. Dove, a cosmetics company, has made a global campaign for "real beauty" the cornerstone of its marketing. The outcry over the use of Photoshop to create unrealistically young and slim looking images in advertising continues to gather support. There are signs that the hegemonic standards are in flux.
Size Zero Advert Shocks Catwalk 
How one campaign group got the message across





















Oppositional Reading

Texts being texts, however, audiences can choose to read them any way they please. Often, if a text is approached by an audience that it was not originally targeted at (teenage boys reading teenage girls' magazines, for example) they will decode it in an entirely different way to the original intentions of the producers, perhaps deriving humour from something that was meant to be serious (check out women's magazines from the 1950s if you want a laugh in this post-feminist world). The audience may have a very different cultural or social experience from the producer, and may connect signifiers to completely different signifieds. Media texts may be less open than other texts (there is the danger that if you do not read, for example, a Marlboro print ad in a certain way it will make no sense at all) there is still room for oppositional reading.

Task: 
Think of three contemporary texts, print or AV which could be decoded differently than intended. Who is the secondary target audience and what are they seeing in opposition to the primary target audience?


Opinion leadership is leadership by an active media user and who interprets the meaning of media messages or content for lower-end media users. Typically the opinion leader is held in high esteem by those who accept his or her opinions. Opinion leadership comes from the theory of two-step flow of communication propounded by Paul Lazarsfeld and Elihu Katz.


In his article, Elihu Katz answers the question, "Who is an opinion leader?" One or more of these factors make noteworthy opinion leaders:
1.            expression of values
2.            professional competence
3.            nature of their social network.
Opinion leaders are individuals who obtain more media coverage than others and are especially educated on a certain issue. They seek the acceptance of others and are especially motivated to enhance their social status.[11] In the jargon of public relations, they are called thought leaders.
In a strategic attempt to engage the public in environmental issues and his nonprofit, The Climate Project, Al Gore used the concept of opinion leaders. Gore found opinion leaders by recruiting individuals who were educated on environmental issues and saw themselves as influential in their community and amongst their friends and family. From there, he trained the opinion leaders on the information he wanted them to spread and enabled them to influence their communities. By using opinion leaders, Gore was able to educate and influence many Americans to take notice of climate change and change their actions.







Analytical Vocabulary




This shot/scene/example (etc.)...

... establishes...
sets up, creates
... signifies...
Shows / acts as a sign for (e.g. red signifies danger)
... denotes...
provides a straightforward reading
... connotes...
Suggests or offers a cultural or interpreted meaning
... suggests...
provides a possible interpretation
... implies...
suggests
... illustrates...
provides a clear example of
... foreshadows...
hints at what is to come
...contrasts with...
offers a very different image / interpretation to (another example)
... is juxtaposed with...
creates opposite feelings/readings (compared with another e.g.
...demonstrates...
Is an example
...identifies...
Pinpoints, makes clear